Meet Lady Margaret from kids' historical novel, TROUBLE AT THE SCRIPTORIUM

My middle-grade medieval mystery novel, Trouble at the Scriptorium was published in 2012.  For those of you who haven't read it yet, I thought it would be fun to introduce you to one of its main characters. 

Trouble at the Scriptorium takes place in a rural castle in England in the early 13th century, and focuses on Harley, a twelve-year-old servant at the castle. Harley discovers a number of odd things going on in the Shire of Hertford, and he enlists the help of the beautiful Lady Margaret, also twelve, to put all the pieces together.

Lady Margaret was kind enough to share some thoughts about her life and adventures:

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My name is Lady Margaret. I am the only child of Sir William of Castle Berkhamsted, just north of the City of London. My father, in turn, serves the great Lord Edmund of the Shire of Hertfordshire. Lord Edmund, in turn, is bound in service to Henry III, King of England.

Did you get all of that?

My mother’s name is Lady Ursula, and her name day celebration is in one week. That’s the special feast day for St. Ursula, whom my mother was named after. It should be a joyous occasion. In fact, the entire village of Berkhamsted is preparing to eat, drink, and dance in my mother’s honor.

But two awful things happened today that could ruin her name day.

First, she got word from my grandpa, Count Heinrich of the Rhine, saying that the family gems, her inheritance, have been stolen. Everyone thinks they were taken by the notorious thief, Hermann the Bald. But no one even knows if he’s still in Europe.

And then our servant boy, Harley, brought told me even more bad news, a secret we hope to keep from my mother: There’s a beautiful book of Gregorian chant Father hired a scriptorium to make as a name-day gift for Mother. However, Harley’s seen it already (his uncle is a monk), and he says one of the paintings it’s supposed to include is missing, and some of the musical notes are written wrong. Oh, my poor mother will be heartbroken if we can’t get this fixed in time!

Here’s something even more odd and disturbing: Harley thinks the missing jewels and the incorrect chant book are connected. He’s convinced the book’s errors are some kind of code. And he visited the scriptorium where the book was made, and says the monks who work there are acting suspiciously.

Still, Harley’s just a servant boy, so what would he really know about things like this? He’s promised to show me a page he cut from the book, which is wise choice, since I’m very good with puzzles. My tutor, Professor Al-Zarkali, may be able to advise us, as well.

Somehow, we’ll figure out this mystery!

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Trouble at the Scriptorium is available as a print book directly from the publisher: http://www.rfwp.com/browse/novels

Writing for Tweens: Who ARE These People?

The middle-grade market presents a particularly wonderful opportunity for creativity in the fiction writer. Tweens are, as that colloquialism implies, between stages. Kids of 8-12 years are developmentally very different from younger children, yet just as different from teens.

They’re more sophisticated than tots but not as surly as teens. And they’re ready for anything, while they haven’t yet seen enough to be cynical. It’s a kind of emotional and intellectual twilight that I find very rewarding to write for.

I gave some thought to why this age group is so special to me, and offer a list of suggestions for other writers who aspire to write middle-grade novels or stories.

Use your imagination. Tweens crave new experiences, even imaginary ones. So take them someplace fabulous you’ve invented, or some fabulous time you’ve researched. And twist that plot! Under no circumstances should the story be ordinary or predictable.

Make it fast. There should be plenty of action. It needn’t be violence, but things need to happen.

It’s more than “show, don’t tell.” Of course, as in all lit, scenes should be described in such a way that the reader feels s/he’s there. I’m talking about physical activity. And the characters should be the agents, the ones causing things to happen or change. If the world simply changes around your characters and they just stand there and take it, your young reader will close your book and start playing a video game, where s/he can have the illusions that s/he’s actually doing something.

I’ve recently been re-reading Madeleine L’Engle’s A Wind in the Door. One thing that strikes me is the amount of time characters stand around talking about ideas. Do not try this at home! No publisher would stand for it, and no kid either. L’Engle’s book was published in 1973, long before kids had tablets, gaming devices, and smartphones growing out of their fingertips. It was a slower-moving (and generally better-educated) populace. And let’s be honest: Even L’Engle might not have gotten away with it if she didn’t already have a Newbery for A Wrinkle in Time.

Make it smart. The tween brain is an awesome machine. These kids absorb vocabulary, scientific concepts, and all types of minutiae at a rate they’ll never match later in life. They’re hungry to know stuff. Give them unusual details. Give them new words. There’s little they can’t handle if it’s presented right.

Make it funny. All good teachers know that one of the ways to make new information go down more easily is to slip it in during laughter. Tween audiences can handle a fun combination of silly and clever, pratfalls and puns, wedgies and witticisms. So make that dialog snappy and make those situations wacky. And maybe a little bit gross.

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My own tween lit:

You can purchase my tween paranormal mystery, Ebenezer’s Locker, directly from the publisher or on Amazon or BN.

You can purchase my tween medieval mystery, Trouble at the Scriptorium, directly from the publisher.

Paranormal Fascination is Hardly a New Phenomenon

EBENEZER'S LOCKER, a paranormal mystery for tweens.

A hundred years ago, Corbin Elementary School's building housed Dr. Ebenezer Corbin's School for Psychical Research. It seems that a couple of old spirits are still wandering the halls. It's up to Rhonda Zymler to find out what they want.

Ebenezer's Locker follows the adventures of Rhonda, a sassy sixth-grader who's having trouble finding her place and identity. Getting to know these spirits becomes Rhonda's quest. The more she digs, the more perilous her task becomes, and to complete it she must take two trips back in time. This story blends the realities of an economically-challenged modern American town with supernatural elements. What Rhonda finds not only gives her life a sense of purpose, but changes the fortunes of her entire town.

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Movies, TV dramas, reality shows, novels, non-fiction... Every type of media seems obsessed with the paranormal. But, while this might seem like a new phenomenon, it's only the latest of many times this craze has hit. When I was doing research for Ebenezer's Locker, I learned a lot about a previous period of spectral fascination.

In the late nineteenth and early twentieth centuries, America was loony for specters. The ghost fans, called the Spiritualists, sought connections with the dead in the parlors of mediums. These were men and women (and even children, sometimes) who seemed or claimed to have the ability to talk to the Summerland, the world beyond this life.

In Ebenzer's Locker, Tallulah Radley is an older lady in the neighborhood who happens to be a psychic medium. The kids go to her for help when they realize that they're facing ghosts.

I had a wonderful time doing research about the old days of American Spiritualism. I filled Tallulah's home with the sort of equipment that would have been used at the turn of the century, as if she might have inherited it from a psychic ancestor. Most important for her is a planchette, a wooden device with a pen in it. Through the planchette, a spirit can write a message for the living.

Although American Spiritualism started because people believed in the afterlife and wanted to communicate with it, it blossomed because of its economic potential. People made a ton of money looking into the future or the past for clients. And, not surprisingly, the industry was rife with cheats. My research uncovered many faked, theatrical ways the so-called mediums made their connections with the other world seem more spectacular.

I packed all of these devices into a single, breathless speech by Tallulah, who would never do any of these disreputable things. In this scene, two of the girls are in a seance with Tallulah, trying to communicate with the ghost of Ebenezer:

            Mica walked over to one of the two floor lamps in the room. “I should turn these off, right?”

            “Whatever for?” said the medium. “We won’t be able to see.” She patted the back of the chair Mica was to sit in.

            Mica didn’t budge, though. “Séances are supposed to be in the dark,” she said stubbornly, “or maybe with just one candle.”

            I was glad she’d brought that up, since I’d been thinking the same thing. But Tallulah was not pleased. She didn’t sound like a cookie-baking grandma now. “Young lady, sit down this instant.”

            Mica, looking as stunned as I was, followed the order.

            “Dark-room séances are the last refuge of charlatans,” Tallulah said.

            I didn’t get it. “The last what?”

            She sighed sharply. “I’ll say it in simple modern words for you young people. Only phonies have to turn out the lights at séances, so they can cheat.”

            “What kind of cheating?” asked Mica in a tiny voice.

            Tallulah stood, her voice full of emotion. “Some cheaters have an assistant hide in a cabinet and tap on the wood, pretending to be a spirit communicating.” She drew her hands above her head in a circling motion. “Some have wire puppets draped in sheets that float across the ceiling.”

I thought she was done, but no.  She seemed near tears. “I’ve seen phonies keep objects in hidden drawers under the table.”

“Why?” whispered Mica.

“So they can sneak them out as if a spirit made them appear. Some will hold a client’s sealed letter to their head and heart and pretend to absorb its meaning.” Tallulah mimed pressing an envelope to her forehead, eyes closed, very dramatic. Then she opened her eyes wide and shouted, “But actually, they drip rubbing alcohol on it so they can read through the envelope. And you know what some fakers do to make it seem like a spirit has appeared in a darkened room?”

            We shook our heads, afraid to speak.

            “Well, I’ll tell you. They dip gauzy white cloth in glow-in-the-dark paint. And they hide the cloth…” She gasped, as if amazed at her own story. “Well, they hide it in their underwear, children! I will not be compared to these razzle-dazzle snake-oil salesmen.” She plopped down in her chair, limp and exhausted.

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You can buy Ebenezer's Locker in any e-book format directly from MuseItUp Publishing

or on Kindle from Amazon.

Guest Blogger MG novelist Ros Gemmell

Today's special guest, Ros Gemmell, writes to us from Scotland. And about Scotland. Her new tween fantasy novel is called Summer of the Eagles, and she shares some thoughts about the themes in her work.

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Themes in Summer of the Eagles

Many thanks, Anne, for hosting me on your lovely blog today.

Although I wrote Summer of the Eagles as an adventure and slight fantasy novel for the 10 to 14 age group, the story does contain a few themes that might resonate with young teens. I’m a great fan of some escapism in all fiction, for whatever age, but it’s good age at which to explore the wider issues that might affect some young people.

Bereavement and Thoughts about Death and Afterlife

13 year old Stephanie (Stevie) is suddenly orphaned, with no one to care for her apart from an aging Gran. Although feeling bewilderment, grief, fear, and even anger, she is unable to cry for her loss at first. She retreats into herself, refusing contact with her friends. She becomes moody and stroppy, and difficult for Gran to deal with.

Before Stevie woke up in hospital, she was in a beautiful dream-type garden with her parents. The image of their coffins at the funeral sometimes haunts her and she prefers to think of them in that happy garden together - or in heaven if it exists. She hopes they might all eventually be together again one day. By not telling to anyone about her feelings, Stevie is keeping everything inside her and cannot deal with her fears.

Body Image and Sporting Dreams

The accident that killed her parents leaves Stevie lame and unable to continue with her hopes and dreams about running for Scotland one day. Although hardly scarred outwardly, her long hair has been cut short and she begins to put on weight from the sudden lack of exercise and eating too many biscuits and so on. Stevie loses the motivation to do anything to help herself and is deeply sad and depressed. The doctor told her to exercise her leg, but she doesn’t believe she can. When she eventually begins to walk more and even cycle on the island, it helps in every way.

Using a Fantasy Element and Imagination

When Stevie eventually begins strengthening her leg by walking into the hills, she meets Karig, a strange boy with unusually piercing amber eyes. He seems to have some connection with the eagles and Stevie begins to trust him as someone in whom she can confide. This character was inspired by all the references to eagles in the Bible, myth and legend. Stevie feels a connection with Karig that makes her feel protected and understood. He is the only person she can talk to about her feelings and pain.

Bird Protection

One of the themes in Summer of the Eagles is the problem of bird and egg poachers. Two men are on the island to harm the birds/eagles and Stevie finds herself in danger from them. She also gets involved in the bird sanctuary where her aunt helps out. There she learns about how they protect and look after injured birds around the island. This is also an allegory for how Stevie begins to heal. Stevie begins to care about the orphaned birds she meets and eventually accepts some of the other people who care for all the birds.

These are a few of the general themes affecting Stevie in her new life of the Scottish island, but at the same time the story’s setting gives it an almost other-worldly feel as Stevie begins to heal and make new friends.

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That's an impressive number of themes woven into one tween novel! And the Scottish fantasy context makes it all especially appealing.

You can purchase Summer of the Eagles at MuseItUp, Amazon, and AmazonUK.

You can visit Ros Gemmell on her blog.