* * *
It may seem odd to have a steam adventure couched in the
desert, among nomads and a people long known for their faith and a belief in
magic. Quite a challenge, in fact, to meld so many different threads: history,
engineering, magic, and the Islamic culture. What could they possibly have in
common, after all?
You would be surprised.
Baba Ali and the
Clockwork Djinn began—rather naïvely—as a short story based on the tale of
Ali Baba and the Forty Thieves, meant for the upcoming anthology Gaslight and Grimm (Dark Quest Books).
Because I always strive for authenticity and did not have much knowledge of the
culture and tradition of the Middle East—beyond a familiarity with one
variation of the tale itself—I enlisted the help of my friend, Day Al-Mohamed,
who quickly became my co-author. Between us we used our knowledge, experience,
and a good deal of research to find the right details to seed our story with to
create an alternate Saudi Desert fitting to the tale we wanted to tell, where
the magical and the mechanical co-existed and reason and faith mirrored one
another in an intricate dance.
By taking historic references—such as Charles Babbage’s work shop
and Al-Jazari’s The Book of
Knowledge of Ingenious Mechanical Devices and building the story around
them we captured the essence of another era, grounded it in fact, and then made
it our own. Thanks to resources on the internet we were able to draw on
mechanical puzzle boxes, Egyptian stick fighting (dancing), early airship
designs, and Persian dynastic history, all of which fed life into our tale,
along with an echo of reality that makes “what if” plausible.
One of my covert ways of enriching
this tale could have only been accomplished via the internet. Names have power.
Names have meaning. In Baba Ali and the
Clockwork Djinn, those names not dictated by the original tale or history
also have hidden significance—unless you are conversant with the meaning of
Persian/Arabic names, then they are overt. Each name was researched and chosen
for a desired meaning relevant to its use.
See, as writers we build worlds and create people with our
words and if we take care with our choices we do so very well. Baba Ali and the Clockwork Djinn has
become a tale that the Western World can take up and experience a different era
and an exotic culture so very different from their own, and the Middle Eastern
World, or descendants of it, can pick up and see themselves, their culture and
history, as everyone should be able to do from time to time.
Thank you for reading. Come back next week to hear what my
co-author, Day Al-Mohamed, has to say about the multicultural aspect of our
tale.
Baba Ali and the Clockwork Djinn Back Cover Copy
Come, Best Beloved, and sit you by my feet. I
shall tell you a tale such as sister Scheherazade could have scarce imagined…
* * *
You can learn more about Danielle Ackley-McPhail at her websites: www.sidhenadaire.com,www.literaryhandyman.com
www.badassfaeries.com.
www.badassfaeries.com.
You can purchase Baba Ali and the Clockwork Djinn on Amazon, Barnes & Noble, and other retailers.
