Author Jennifer Bohnhoff Talks about Mistaken Identities in Middle Grade Fiction

My guest today is Jennifer Bohnhoff, the author of several works of middle grade historical fiction. Her next book, Valverde, is set in New Mexico during the Civil War and will be published this spring. 

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Mistaken Identities in Middle Grade Fiction

by Jennifer Bohnhoff


Most middle school readers wonder if they were adopted. Some actually revel in it: who are these people, and why can’t they understand me? Clearly my own people are elsewhere. Middle grade readers are going through so many emotional, physical and psychological changes that it’s not surprising that they are drawn to books about other children who don’t know who they are. Here are a few suggested books with this theme.

Charles Dickens’ Oliver Twist is the classic novel of mistaken identity. Originally published in monthly installments between 1837 and 1839, it tells the story of an orphan born in a workhouse in 1830s England. Oliver leaves the workhouse when he is nine years old and apprenticed to an undertaker, but runs away and finds himself in the company of a troop of pickpockets. Through a series of interwoven circumstances, the kind that only Dickens could have created, Oliver’s identity is eventually revealed, and the orphan boy goes from rags to riches and takes his rightful place in the kind of generous and loving family that every middle school child wishes he had. 

Jennifer Bohnhoff

Jip, His Story, written in 1996 by the Newbery-winning American novelist Katherine Paterson, focuses on another orphan, this time a 12-year-old. Set on a poor farm in Vermont during the 1850s, it tells the story of a baby who supposedly fell of a cart and was never retrieved. He is called Jip because his dark skin color made people believe he was a gypsy. Despite the hard work and difficult conditions, Jip gets along well with the other workers on the farm, many of whom are mentally ill, and he enjoys working with the farm animals. But when a man shows up and begins asking questions about Jip’s background, it becomes clear that Jip is no gypsy, and his real identity puts him in grave danger.

The main character of my historical novel Code: Elephants on the Moon may not be an orphan, but she still doesn’t know who she is. Eponine Lambaol thinks she is the only red head in a town filled with brown-haired people because she is Breton living in a tiny village in Normandy, France. It is spring of 1944 and there are many things that Eponine doesn’t understand. Where is her father? Who is the mysterious cousin who has come to live with her and her mother? When Eponine finds her mother and cousin listening to strange announcements on a forbidden radio, she realizes that nothing she’s believed about herself is true.

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Learn more about Jennifer Bohnhoff on her website.
You can purchase Code: Elephants on the Moon on Amazon, Barnes and Noble, and other online retailers.

Krysten Lindsay Hager: #YAlit NEXT DOOR TO A STAR and writing all the time

Please welcome Krysten Lindsay Hager, whose new YA book is called Next Door to a Star. She admits how thoughts of writing pervade her every waking moment. Boy, can I relate to that!

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Writing: The Job You Never Turn Off 

by Krysten Lindsay Hager

               

People think being a writer must mean that I play make believe all day and spend long hours on the couch watching bad daytime TV. In reality, writing isn’t a job you fit in when you have time to pick up a pen or get to a computer—it’s a job you never walk away from. If you’ve seen most writers’ computers you’ll notice several tabs open at all times. Now imagine what our minds are like! It’s like a million ideas swirling at all times—new plots, themes, how to rework the ones we already have churning in their minds, and then rewriting something we’ve already sent to the editor. Even going out for the night doesn’t take us away from the work.

Before I wrote my latest young adult novel, Next Door to a Star, I went to the beach towns I write about several times. I scouted out Grand Haven, Michigan (the main setting for the book) to check out the beach, shops, pier, and downtown where my character, Hadley, and her friends hang out. I also went to Saugatuck, Michigan where the Hadley and Asia go on a day trip and run into the rock star Hadley has a crush on. When I was in Grand Haven, my friend was looking forward to spending some time in the sun. So while she was catching some rays, I had mapped out where my characters would be going so I could see if how I planned a scene for the book would actually work in reality…right down to the actual steps the characters (Simone and Hadley) would take on the pier. 

On another visit, while my husband was taking in the sun, I was taking in the sites and jotting down notes and taking pictures with my phone so I could capture the scene exactly from every single angle. To look at my phone gallery you’d think I took a million pictures of the same scenery to get one decent picture, but nope. I needed to see that scene from every possible angle so I could go back to my laptop and recreate the setting in the book. It helps me to go in person to see the downtown where Simone (the former teen TV star) would go to get her hair down with Hadley and where they’d run into her ex getting pizza with a new girl—an older high school girl. Then, I take all my pictures so I can plot out where the girls go and make sure I have the landmarks in the right order for anyone who reads the book who is familiar with the area.

Later, I went to shops my characters would visit and imagined where their conversations would take place—like when Charlotte and Hadley are invited out with the popular girls and feel out of their element. I sat on a bench to emails notes to myself so I didn’t forget anything all while Instagraming shots to my followers of places they could expect to see in my next novel.  

When we made a snack stop, I saw an ice cream place across from the beach that I needed to go into. My husband said, “You want ice cream?” And I replied no, I didn’t, but my Hadley and Simone might want some and I needed to see the setup of the store. So he got some ice cream to give me an excuse to scout out the place and jot down details.

People don’t always realize all the details that go into creating a scene, but I like to take the reader right into the world that I am creating. I’m always on the lookout for something that will add to the story, make it richer, and bring you into my character’s world. Sure it means I can’t turn my brain off from writing, but I assure you, I had just as much fun that day researching and scouting out places for my book as someone who sat in the sun enjoying the beach.

Watch the Next Door to a Star Book Trailer:

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Learn more about Krysten Lindsay Hager on her website and on Instagram.

Buy Next Door to a Star on Amazon, iTunes, and elsewhere.

Gender-bending for the love of science in Catherine Haustein's NATURAL ATTRACTION

My guest today is Catherine Haustein, author of Natural Attraction, a science-based historical romance. She shares her book's complex background.

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Science, Sexuality, and Classification

by Catherine Haustein

I’ve been a chemist for over thirty years and it’s a stimulating and often amusing career—in other words, good novel material. Like Clementine in Natural Attraction, I’ve frequently imagined that things would have gone more smoothly had I been a man. Setting Natural Attraction in a time of strict gender roles illustrates how far we’ve come and what still needs to be done.

I chose to place Natural Attraction in 1871 because it was a time of great social change. The theory of evolution and the discovery of sperm and egg cells were quietly ushering in ideas of social equality. Science was a train riding the rails of certainty and classification. And in the hometown of my ancestors, Singapore, Michigan, USA, ecological disaster was brewing. These coalesce in Natural Attraction.

Picking the best genre for the story was a challenge. I decided to write it as romance, not sci-fi. My family was involved in a Shakespeare Festival for a while and I appreciated the complexity of the comedies and the required happy ending, fitting with a romance. Science is filled with passion, curiosity, and the unknown just like romance and the two are very compatible. I also thought it would be fun to give a scientist a romantic liaison with a preacher to let them explore what they had in common.

Another challenge was giving Natural Attraction a Victorian feel without being weighed down by flowery language. I had Clementine be from a family of recent immigrants from the Netherlands, as my ancestors were. I had some characters use Victorian idiomatic expressions. I enjoyed incorporating a Victorian melodrama and theater into the manuscript and included patent medicines and the use of poisonous dyes in clothing as important Victorian touches.

One aspect I wrestled with was how to address sexuality and the transformation of Clementine into a man. I work in a male dominated field and had an inkling of the isolation she might feel as a woman who didn’t really fit in anywhere. I had help from men, particularly those at the Iowa Writers’ Workshop, who offered suggestions on what it takes to be a man and the privilege and culpability that come with masculinity. This book is a romance pitched towards women but the comic look at gender roles should appeal to everyone who’s ever felt stuck in them.

Blurb: Clementine dreams of being a naturalist—a career that leaves no time for romance. To sneak on an adventurous prospecting expedition, Clementine will have to convince everyone she’s a man. A mysterious tonic offers her just that disguise.
But “Calvin,” as she calls herself now, had no idea what she was giving up. When Wesley, the expedition’s gentle preacher, catches her eye, she can’t get him out of her head; not his lush lips, wide brown eyes…or broad chest. Dare she reveal her secret to him? Can she keep her career if she does?

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Natural Attraction is available from Penner Publishing, Lybrary, and other major booksellers.

Find the author at catherinehaustein.com and on Facebook

Sandra Ulbrich Almazan on bringing #Beatles #magic to her #fantasy novel, SCATTERED SEASONS

Creating complementary main characters is a skill which, if mastered, can lead to great fiction. Today Sandra Ulbrich Almazan explains how she developed the women in her new novel, Scattered Seasons.

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From the Fab Four to the Fem Four:

Designing a Quartet of Characters

by Sandra Ulbrich Almazan

It happened nearly twenty years ago, while I was reading Mark Hertsgaard’s A Day in the Life: The Music and Artistry of the Beatles. I read a description of the Beatles’ four-fold synergy and thought I’d like to write a story about a quartet working together to create literal magic. From that idea, I slowly came up with a group of four women who each had a type of magic associated with a different season. They were originally called Season Lords, but I changed their name to Season Avatars for a gender-neutral term.

While the magic concept was important, even more important was creating a group of characters with different but complementary personalities. There are different tropes for doing this, such as the Four Element Ensemble, the Four Temperament Ensemble, or even using blood types.  (Warning: all these links lead to the fun but time-sucking TV Tropes website.) I chose a simpler method, which I’ll refer to as “Brain-Body-Heart-Soul.”  This was also inspired by a description of the Beatles. (Fans may disagree on who played what role within the group. I see John as the brain, Paul as the body, George as the soul, and Ringo as the heart.) Each of the four Season Avatars plays one of these roles within the group.

Gwendolyn, the Spring Avatar, is also the leader of the group. Her job is to heal people and coordinate the magic shared by the Avatars so they can perform tasks togethers. As a noblewoman, she’s had the most formal education of the four, so she’s the “brain.”

Jenna is the Summer Avatar and has plant magic. She’s the most sensual of the quartet (so she’s the “body”) and frequently has to remind Gwen to have fun and not focus constantly on her duties.

Ysabel, the Fall Avatar, has animal magic. As the heart of the group, she’s friendly and warm. She’s a diplomat who wants everyone to get along and will mediate when the others argue among themselves. Gwen and Jenna tend to argue a lot, so sometimes they need a go-between.

Finally, Kay, the Winter Avatar with weather magic, is the soul of the group. Although all of the Avatars originally obtained their magic from the God or Goddess associated with their season, she is the most pious and the least likely to question her God’s will.

Of course, it wouldn’t be satisfying to make each character one-dimensional, a person fit only for a certain role and no more. Each of the Avatars comes from a different type of family and a different background. Some of them have talents in non-magical areas, such as music, drawing, or sewing. They all have different personal challenges to overcome as they learn to work together. Each of them will get her own book, starting with Gwen in Scattered Seasons, to tell her part of the overall story.

I look forward to introducing them to you.

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Learn more about Sandra Ulbrich Almazan on her blog or on Facebook.

Purchase Scattered Seasons on Amazon and Barnes & Noble.

#SciFi is no joke: Milo James Fowler seriously serializes his Captain Quasar novel

Always a pleasure to welcome Milo James Fowler to Jester Harley's Manuscript Page. I admire anyone who writes as well and as consistently as he does, who shows such determination to get his work out there, and -- most important -- who isn't afraid to put some funny in his science fiction. I'll let him tell you about his latest project:

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Meet Captain Quasar

by Milo James Fowler

For me, writing fiction is all about the characters. And when I create a protagonist I enjoy, I can't help but write more stories for him.

When I came up with Captain Bartholomew Quasar back in the spring of 2010, I was going for a mash-up between William Shatner's James T. Kirk and Dudley Do-Right from the Rocky and Bullwinkle Show (but in Quasar's case, things seldom ever go right). He's one of those classic pulp heroes with a heart of gold whose narcissistic tendencies often land him in hot water. The captain hasn't changed a whole lot in the dozen other tales I've written, but his relationship with Hank and the other characters is deepening with every story, as Quasar realizes he needs them in order to continue being as awesome as (he thinks) he is.

I don't write hard science fiction with a whole lot of actual science in it. I focus on the characters, and everything else I just make up—or I rely on osmosis to filter enough jargon into my brain from all the SciFi that I've read. I do my best to aim for universal themes and relatable characters, and I try to shoot for a high entertainment value that transcends any barriers to enjoying these space opera tales.

I hope readers can laugh at Bartholomew Quasar and root for him at the same time. He's ridiculous, but there's something about his fallible nature that most of us can relate to on some level.

My debut novel Captain Bartholomew Quasar and the Space-Time Displacement Conundrum started serialization on April 20. 

Blurb:  

Captain Quasar is out of time.

Pursued by vengeful Goobalob toll collectors, savage Arachnoid bounty hunters, and formidable Amazonians, Captain Bartholomew Quasar must do whatever he can to keep the crew of the Effervescent Magnitude out of harm's way. All in a day's work—except time is not on his side.

Torn from the present to relive his past, he vows to keep mistakes from occurring the second time around. But is he doomed to repeat the past? Or can he erase his regrets?

Villains will be vanquished. Lives will be lost. Bonds will be betrayed. Heroes will be heroic.

Join the crew of the Effervescent Magnitude for a hilarious time-travel space adventure the likes of which you've never seen.

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You can learn more about Milo James Fowler on his website.
Read more about the series and subscribe to it here and read the teaser/prologue right here.

Romance and Suspense in Emma Elliot's novel AS DARKNESS GATHERS

I am please to welcome Emma Elliot to the blog today. Her novel As Darkness Gathers shows characters skirting the cliff's edge. She shares some thoughts about crafting a world of such complex emotions.

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As Darkness Gathers is, essentially, about betrayal, about varying degrees of the destruction of trust. Trust is essential in any relationship, and any chipping away of that has a rippling effect in one’s life and in his or her interactions with others. The story revolves around Finch, a woman whose reality is turned on end when she’s involved in a plane crash. Surviving that horror is only the beginning of her struggle.

“The line between friend and foe is blurred.” I think that line sums up the struggle the heroine is faced with in the story. You know how to relate to people when you know where you stand with them, when you know of their agendas toward you and their attitudes, when you know what motivates them in their interaction with you. Understanding those aspects affects your approach to the relationship. When there’s a lack of clarity regarding those aspects, you’re left in a more vulnerable position.

In As Darkness Gathers, increasingly frightening events make Finch question those around her. Someone wants to hurt her, and she isn’t sure whom she can trust. I think Finch navigates this uncertainty with a lot more aplomb than I ever would. She’s afraid and angry, of course, but she doesn’t allow it to cripple her. She refuses to be cowed and doesn’t allow the experience to make her bitter. She has a lot of grace and strength of character, even as she struggles to determine whether those she loves are the ones she can trust.

I love a good mystery, which probably comes from cutting my reading teeth on Nancy Drew, the Hardy Boys, Trixie Belden, and the Bobbsey Twins books. Intrigue of a multitude of sorts drives any story:  the uncertainty of a relationship in a romance, the personal trials in a drama, the political machinations in a thriller, the outcome of a battle in an historical…. But I love the intrigue of a suspenseful novel, the tension and anxiety, the apprehension and puzzles.

If there’s a secret recipe to combining romance and suspense, I haven’t discovered it yet. I’ve written two different books within the genres. The first, A Thin, Dark Line, is a character-driven story that is very much a romance with a suspenseful subplot. My latest release, As Darkness Gathers, is more plot-driven, and I’d say it’s a suspense novel with a romantic subplot. I think the balance and weight of the two genres largely depends on the story and the character’s journey over the course of it.

Romance and suspense are two genres that are perfect for exploring the human story. Both—love and anxiety—have an internal and external impact on a person, and when the romance and suspense are woven together, you can better dig into the visceral fears and desires of a character. Romantic suspense is an excellent platform to study human reaction, interaction, and motivation.

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Learn more about Emma Elliot on her blog or on Facebook.

Go to Amazon to purchase As Darkness Gathers  and A Thin, Dark Line.

Andrea Buginsky Considers the Future for the Girls of New Avalon

The magical and the exotic are wonderful elements to add to fiction. However, their sparkly presence is no excuse to ignore the basic techniques of writing that can make stories great. Andrea Buginsky discusses the importance of character development in her YA fantasy series, New Avalon.

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Character Growth

by Andrea Buginsky

I have always loved King Arthur stories. When I saw the movie The Mists of Avalon on TNT several years

ago, I loved the way the writer retold the story of the ladies of Avalon. One of my favorite Arthurian characters is the Lady of the Lake. So, when I was choosing a subject for my first (and last) NaNoWriMo (National Novel Writing Month), I decided to create my own story about Avalon and the Lady of the Lake.

I knew I wanted the story to take place in modern times, and I knew I wanted to use magic. The logical choice was to make my characters witch-like. Then I got the idea to write about an introverted character who never seemed to fit in at her school. But once she finds out the truth about herself and is sent off to a special school with other girls like her, she blossoms. This is where New Avalon comes from.

I was always a very introverted person, until I got to know people, then I would come out of my shell. I never had a large circle of friends, but the small circle I had was very tight. I’m still in touch with many of them today. When I created the characters for New Avalon, I had this idea in mind: a group of girls who would form life-long friendships. I knew they would be facing many ups and downs throughout the series, and I wanted them to be there for each other as they went through them.

The first character I created was Elena, the introvert. When you meet her, you’ll understand why she’s so shy around her classmates. I enjoyed watching Elena grow in Destiny, and continue to grow in Fate. There’s more to come for her in future books of the series, and she will discover many layers of herself. She will need her friends to help her get through her obstacles. But they will also need her.

My plan for the books is to focus on one girl per book so readers can get to know each of them better. In Fate, you’ll discover there’s more to Izzy than meets the eye, and suddenly, Elena will have to be there for her, which continues to help her grow. The other girls are always there too, allowing all of them to be together through thick and thin. I’m enjoying getting to know the girls as the series grows, and watching them grow along with it.

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Learn more about Andrea Buginsky on her website.
Purchase Destiny and Fate (the New Avalon series) on Amazon and Barnes & Noble.

In her YA novel ELIXIR BOUND, Katie L. Carroll has personal ties to the female characters

I'm delighted to be participating in the blog tour for author Katie L. Carroll's YA fantasy novel Elixir Bound. Katie shares some background on the extraordinary women in this story.

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The Women of ELIXIR BOUND

By Katie L. Carroll

I originally conceived ELIXIR BOUND as a there-and-back-again quest, a sort of tribute to my sister

Kylene, who died at the age of 16. I had hoped to give her a fantasy tale of her own. When it proved too hard to write the story from the POV of a character inspired by her, I decided to try from a different character's POV: her sister Katora's.

This really changed the direction of the story. Where Kylene was sweet, sensitive, and wore her feelings on her sleeve, Katora was stubborn, independent, and also sensitive but would never want to show it. ELIXIR BOUND then became a story about a young woman (Katora) who must go on a quest to find out whether or not she will become guardian to a secret healing Elixir and bind herself to it.

The binding part was key because it wouldn't allow to just use the Elixir as she wanted to; the binding would force her to use it in a way that also served the Great Mother (who is also called Mother Nature, and is basically the highest form of being in Katora's world). Now I had a story where a very independent character was forced to make a decision that would seriously hinder her independence and impact the path the rest of her life would take.

This whole story line was a personal journey that was paralleled by a physical journey in which Katora and her companions had to find the secret ingredient for the Elixir. Notice the total lack of mention of a love interest. It was really important to me that Katora's motives for the quest had nothing to do with a boy.

It was also important that Katora be chosen for this quest, not either of her two older sisters or her younger brother. I've always wondered why in so many real and fictional worlds the oldest son is the one who is entitled to the inheritance, so I wanted Katora to be neither the oldest nor a boy. The reason Katora was chosen as the next guardian of the Elixir, taking over for her father, was she was person who was best suited for the job.

As I started writing ELIXIR BOUND, I realized I wanted these themes to be reflected in Katora's world as well. I think a lot of these themes spilled out of me unconsciously and only in revision did I become consciously aware of the feminism in them. Suddenly Katora's world had turned very pagan with the people following a female deity (the Great Mother) closely tied to nature. From there I sort of ran with the idea that females would, in a sense, rule this world. Though I kept it that Katora would take over for her father because I wanted some balance in the world. Women didn't need to rule everything.

And Kylene was still there on the quest and plays an important role (though not the starring one). I wanted her there to contrast Katora's personality because there are other strong female characters besides the bulldozer type, which is kind of how I think of Katora. I needed a female who was strong in character but not in your face about it. Also, Zelenka, a member of the miniature demick species, was an interesting female character. In many ways very much like Katora, but also a bit of an adversary to Katora. They never quite get along, mostly because they are so alike.

There does end up being a love interest on the quest. One I had to emphasize and play up more as I went through revisions because several of my early readers didn't think it played a big enough role. Katora initially resists forming a relationship with Hirsten, the handsome son of a famous mapmaker. She doesn't want anything to distract her while on her mission and while she has such an important decision to make.  Though the quest part of the story is not driven by romance, Katora's ability to realize her capacity for love (and in turn why she has resisted her feelings for Hirsten) does play into her decision on whether or not to become guardian of the Elixir.

As you can see, I thought a lot about the role of females in the made-up world of ELIXIR BOUND as I was writing it. I'd like to think my story offers a feministic look at females and hopefully speaks to teenage girls in a positive way. Although, I didn't want to force any certain didactic message about feminism in the story...more an offering of female characters and how they take control of their lives and futures. Themes I certainly plan on considering while writing future works as well.

ELIXIR BOUND

YA fantasy

by Katie L. Carroll

Katora Kase is next in line to take over as guardian to a secret and powerful healing Elixir. Now she must journey into the wilds of Faway Forest to find the ingredient that gives the Elixir its potency. Even though she has her sister and brother, an old family friend, and the handsome son of a mapmaker as companions, she feels alone.

It is her decision alone whether or not to bind herself to the Elixir to serve and protect it until it chooses a new guardian. The forest hosts many dangers, including wicked beings that will stop at nothing to gain power, but the biggest danger Katora may face is whether or not to open up her heart to love.

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The Ebook of Elixer Bound is on sale for $.99 until September 27 on Amazon and at the

MuseItUp bookstore.

Enter the Goodreads giveaway for a signed paperback copy until September 28.

Learn more about Katie L. Carroll on her website, on Twitter (@KatieLCarroll) or Tumblr.

D. Aviva Rothschild writes speculative fiction about The Beatles!

My respect for originality and the unusual is boundless, so my hat is definitely doffed to today's guest. D. Aviva Rothschild writes novels about John, Paul, George, and Ringo that go way beyond fan fiction.

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With Strings Attached, or The Big Pink Job, is a wholly original and problematic work of fantasy. By “wholly original,” I mean that it only superficially resembles other works of fantasy. If you know about TV Tropes, there's a trope about Standard Fantasy Settings. By those guidelines, Strings is almost 100% noncompliant. I have to admit, I was kind of startled to find that out.

Before the “problematic” part, the story in a nutshell: our four heroes awaken on another planet, 16 years younger and completely terrified. They're on the planet C'hou in Ketafa, a quasi-Victorian society where magic is genuine (and illegal), and where the gods returned 25 years ago, except they're fake. The reader knows the four were placed there as the subjects of a poorly set up alien undergraduate psychology project. After things go sour, the four end up across the sea in Baravada, a dying quasi-medieval anarchistic utopian dystopia (yes, really). Meanwhile, the aliens are kicked off their project for cheating and join up with a gamer in order to have access to the four. Ultimately, thanks to the aliens and the real gods, the four are empowered and charged with finding three pieces of a statue that have been scattered across other planets. This will remove a curse on Ketafa that prevents the real gods from seeing the continent. If the four don't do it, they don't go home. It's just too bad they detest Ketafa. And they're pacifists, so death and destruction are not options even though they've collectively been gifted with enough power to wipe out a city before breakfast. And not everyone wants them to succeed.

Straightforward and hopefully kind of interesting, right? Well... here's where the “problematic” part kicks in. The book falls, however unwillingly, under the rubric of fan fiction because the four protagonists are the Beatles. Well, the ex-Beatles, since it's set in 1980.

Did that suddenly negate your interest in the book? I know it does for a lot of people. And the fantasy aspect turns off a lot of Beatles fans who just aren't into that sort of thing. So, hello small (but devoted) niche audience.

I hate sounding defensive about Strings, because it's quite a decent book and I'm very proud of it. Over the 29 years it took me to write, I put a ton of research into getting their personalities as true to life as possible—no Hard Day's Night or Yellow Submarine Beatles for this writer, thank you! And they grow and change; the men at the end of the book are not the same as when they first arrived. If you know your Beatles history, there are subtle references scattered throughout, but they won't hit you over the head (no characters named Strawberry Fields or nonsense like that). On the fictional side, the two C'hovite societies and the secondary characters are as fully fleshed out as I could make them, with multiple sets of slang and some truly alien viewpoints. C'hou has a mysterious and tragic backstory that I'll be expanding in the two sequels (it's a planned trilogy). And Big Issues get explored: the nature of good and evil, the effects of power on people, addiction.

People have suggested that I change the characters. That would certainly make the book easier to sell. But I don't want to change them. I tried once, and failed. I'm just not interested in writing about four other people (just changing the names isn't enough) in this situation. The Beatles are smart, funny, profane, and emotional; they make excellent characters, and I'm committed to the trilogy as designed.

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Try before you buy! Half of With Strings Attached is posted on D. Aviva Rothschild's website, where you will also find purchase links for all formats.

You can also buy it as a Kindle ebook on Amazon or in print and as ebook on Lulu.

Sandra Barret on BLOOD OF A TRAITOR and developing culture in #SciFi

My guest today is Sandra Barret, whose latest work is Blood of a Traitor, Book 2 in her Terran-Novan Universe series. Here Sandra discusses a very difficult question: how the concept of culture might be used in futuristic sci-fi.

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How Writing The Other Taught Me "You know nothing, Jon Snow"

by Sandra Barret

Okay, I'm mixing my metaphors (and my genres here), but that Game of Thrones expression so perfectly matches my reality after trying to write about someone from a culture different from my own.  My latest science fiction novel, Blood of a Traitor, has two main characters.  Kay is short, sarcastic, and a little too much like me (or my inner me anyway). And then there's Ayaan - tall, African, and Muslim (or a version of Muslim I extrapolated from current liberal Muslim trends).

I did my research like a good little writer. I got books, I hunted blogs. I created a character that I felt was well rounded and represented someone who isn't common in our stories.  After sitting through the Arisia convention's panel on Writing for The Other, I realized I fell short of the mark.

I did focus on one item that was critical to Ayaan.  She chose to follow her religion when family and the military frowned on it. It was core to who she was, and that I think I represented well.  Where it weakened was in the supporting cast of characters.

Now before I continue to bash my own book, I think the story and characters are great (call me biased).  But for my own goal and what I set out when I created this book? Yeah, didn't quite make it.  I fell into a few common holes. The biggest one, I like to call "Why Aren't There Kenyans on Pluto" (referencing comments from that Arisia panel).  The mistake I made was to assume that some far flung future, complete with human genome enhancements and galactic space travel, would automatically strip away major cultural differences.  My story cultures are different, but on a planetary scope. Within the planet, each is homogenous. 

One recommendation from the panel was to evaluate the Jewish culture, as something that has spanned millennia, experienced wide scale Diaspora, and yet both retained and shed aspects of what was core thousands of years before.  And then recognize the differences within that culture. It too is not monolithic. People mingle with other cultures, adopting parts here and there.

So for my next book in the series, I hope to be less like Jon Snow....and maybe I'll put Kenyans on Pluto? Side by side with Canadians, Brazilians, and an alien or two. Or Brazilian aliens, or Kenyans who integrated cultural aspects of those aliens.  They may self-identify as Plutonians to outsiders, but amongst themselves, don't strip away their heritage. Keep it, enhance it, and let the characters be real.

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Learn more about Sandra Barret on her website.

You can purchase Blood of a Traitor on Amazon as print or e-book.