I'm pleased to welcome Kristi Petersen Schoonover. Kristi writes short and long fiction in the horror vein, including her newest story, "This Poisoned Ground." Today she offers some great advice about a tricky technique: writing a scene or whole story as a flashback.
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Five Tips for Firm Flashbacks
by Kristi Petersen Schoonover
2011 brought an opportunity to pen a Poe-inspired, modern
gothic romance under 10,000 words. My work is already influenced by Poe, so I
thought the writing of my most recently published piece, “This Poisoned Ground,”
would be “no sweat.”
I was wrong.
The trouble was in the telling of a love story that spanned
decades. In order to properly weight the horrific ending, the reader needed to
understand that there was a developing situation over a long period. How should
I do that? I couldn’t write the sentence ‘they argued for thirty years’ because
then my ending wouldn’t be justified—the reader had to see how awful things were. Conversely, I couldn’t start at the
beginning of their relationship and spoon it out because the story would crawl
(true of all lengths: Don’t ever fill any space with things that don’t need to
be there).
It could be done through flashback—a fully-fleshed out scene
in which we bring the reader to the past, to the time before the current story
is happening. A flashback is also meant to illustrate an intangible, such as
“Mom was mean” or “they were madly in love.”
But flashback’s a sticky wicket: There’s a right way and a wrong
way, and doing it right can be a challenge. Here are my five tips for firm
flashbacks.
Ask. Is what’s
being shared only illustrated effectively through flashback? Or can it be
mentioned in the character’s current thought process? “He remembered when Dad
drank seven sodas a day” doesn’t need a flashback built around it if it’s just
a description to flesh out Dad’s personality. If, however, it sparks the beginning
of Dad’s diabetes and the protagonist’s emotional response, or is integral to
conflict between them, the answer to the flashback question may be yes.
Pivot. In real
life, a memory/reflection is triggered by something—an object, statement, smell,
song. Use these “triggers” to usher in the flashback, making for a smooth
transition. Does the protagonist find a cup her mother had given her, making
her recall a specific incident which would reveal some critical aspect of their
relationship? Use the cup to usher in the scene. In addition, be sure the pivot
piece plays a role—no matter how minor—in the current time of the story; don’t
use it as a throwaway device.
Ground. Ground
the flashback in time and place, and be clear: “twenty years ago, back on their
farm” is preferable to “When I wore bell-bottoms on a Wednesday at fourteen
minutes past the hour.” And yes, separators can offset a flashback, but a #
symbol doesn’t substitute for solid grounding.
Trim. Only show
the critical bits. If the point is the protagonist has finally flipped her lid
and it takes place at a restaurant, we may not need to see the couple meeting
there, ordering, et cetera, but we DO
need to see that when dessert is served, she tries to stab someone with a fork
after a couple of lines of incendiary dialogue.
Time. Make sure
the length of the scene is appropriate. Too long, the reader is pulled out of
the current story; too short, the reader could get disoriented. If it’s too
long, consider breaking it up into a few flashbacks—or be certain that
everything depicted is really necessary. If it’s too short, it may not need to
be rendered in flashback; consider a brief mention within the current time
instead.
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Blurb for "This Poisoned Ground":
They say you hurt the ones you love most. No one ever talks about when they hurt you back.
Just after dawn on the hottest day East Providence has endured in a hundred summers, Todd, a bit of a ladies’ man, finds his prized rose bush dead. This is only the first in an ever-more-ominous series of events, and someone…or something…is trying to invade his home.
In the tradition of “The Fall of the House of Usher,” “Ligeia,” and Aura comes a gripping tale of love, lust…and regret.
“This Poisoned Ground” will be in wide release January 28. For now, it is available for 99¢ in all e-formats at the publisher’s website.
To learn more about Kristi Petersen Schoonover, visit her website.
