Showing posts with label Victorian. Show all posts
Showing posts with label Victorian. Show all posts

Thursday, May 14, 2015

Gender-bending for the love of science in Catherine Haustein's NATURAL ATTRACTION


My guest today is Catherine Haustein, author of Natural Attraction, a science-based historical romance. She shares her book's complex background.

*   *   *
Science, Sexuality, and Classification
by Catherine Haustein

I’ve been a chemist for over thirty years and it’s a stimulating and often amusing career—in other words, good novel material. Like Clementine in Natural Attraction, I’ve frequently imagined that things would have gone more smoothly had I been a man. Setting Natural Attraction in a time of strict gender roles illustrates how far we’ve come and what still needs to be done.

I chose to place Natural Attraction in 1871 because it was a time of great social change. The theory of evolution and the discovery of sperm and egg cells were quietly ushering in ideas of social equality. Science was a train riding the rails of certainty and classification. And in the hometown of my ancestors, Singapore, Michigan, USA, ecological disaster was brewing. These coalesce in Natural Attraction.

Picking the best genre for the story was a challenge. I decided to write it as romance, not sci-fi. My family was involved in a Shakespeare Festival for a while and I appreciated the complexity of the comedies and the required happy ending, fitting with a romance. Science is filled with passion, curiosity, and the unknown just like romance and the two are very compatible. I also thought it would be fun to give a scientist a romantic liaison with a preacher to let them explore what they had in common.

Another challenge was giving Natural Attraction a Victorian feel without being weighed down by flowery language. I had Clementine be from a family of recent immigrants from the Netherlands, as my ancestors were. I had some characters use Victorian idiomatic expressions. I enjoyed incorporating a Victorian melodrama and theater into the manuscript and included patent medicines and the use of poisonous dyes in clothing as important Victorian touches.

One aspect I wrestled with was how to address sexuality and the transformation of Clementine into a man. I work in a male dominated field and had an inkling of the isolation she might feel as a woman who didn’t really fit in anywhere. I had help from men, particularly those at the Iowa Writers’ Workshop, who offered suggestions on what it takes to be a man and the privilege and culpability that come with masculinity. This book is a romance pitched towards women but the comic look at gender roles should appeal to everyone who’s ever felt stuck in them.

Blurb: Clementine dreams of being a naturalist—a career that leaves no time for romance. To sneak on an adventurous prospecting expedition, Clementine will have to convince everyone she’s a man. A mysterious tonic offers her just that disguise.
But “Calvin,” as she calls herself now, had no idea what she was giving up. When Wesley, the expedition’s gentle preacher, catches her eye, she can’t get him out of her head; not his lush lips, wide brown eyes…or broad chest. Dare she reveal her secret to him? Can she keep her career if she does?

*   *   * 
Natural Attraction is available from Penner Publishing, Lybrary, and other major booksellers.

Find the author at catherinehaustein.com and on Facebook


Thursday, March 12, 2015

Supernatural London from a Blind POV: The wonders of Elizabeth Watasin's MEDUSA


Today's guest author was determined to see her fictional world through her character's eyes, or, more accurately, through her character's other four senses. Elizabeth Watasin's Medusa features the romantic adventures of a blind woman in an alternative Victorian London. Intrigued? Read on!

*   *   *

I would like to thank Anne for the opportunity to talk about my latest release, Medusa:
A Dark Victorian Penny Dread. Set in an alternate 1880, mechanical and supernatural London, I'm excited about this story because not only is it my first full romance (I usually write paranormal mystery and adventure with romance on the side), it features blind people as principle characters, having adventures and falling in love. Writing with the perspective in mind of a protagonist blind nearly all her life was (dare I say it?) quite an eye-opener, leading me to rely on our auditory, olfactory, and haptic senses to convey the story. The result was a very sensual experience, especially when I introduce that Elvie Chaisty, my heroine in MEDUSA, likes exploring the marble antiquities in the British Museum by touch.

I also like my characters empowered, in that Elvie should not feel deficit as a blind person (she has no longing to be sighted), desires to be accepted by sighted people (she certainly has an opinion on the sighted's lack of understanding of her world), and doesn't need to be the “facilitator”, shall we say, of a sighted person's personal heroic journey. Elvie gets to be the adventuresome heroine, which, not too much to my surprise, emulates a real life sightless adventurer I was happy to discover during my research: James Holman (1786-1857), who set out to travel the world. With only enough money to travel “native”, and often alone, Holman managed to journey through (per the title of his book), Africa, Asia, Australasia, and America.

Now I don't have Elvie travel beyond London, but just experiencing messy, noisy, smelly, and sometimes astounding Victorian London itself, beyond the doors of the Institute of the Blind (where she resides with her friend and stick for hire, Ellie Hench), is adventuresome enough. To boat for the first time down the Thames, hear Westminster Clock chime, or enjoy the air and sunlight in bucolic Brompton via electric horseless carriage can be singular experiences to a blind person's senses.

I didn't give Elvie super abilities, but the virtues and fallacies of haptic perception in a sighted world. At least, I tried my best to do so, and it was a rewarding experience being in her world. Frankly, I was reluctant to leave it once I typed “the end”. As a reader, you will join her in adventures as one blind, fall in love as one blind, and thus experience more about our world than we sighted can know. I hope you enjoy MEDUSA: A Dark Victorian Penny Dread.

*   *   *

Learn more about Elizabeth Watasin on her website.
Purchase Medusa on Amazon and B&N.