Thursday, August 23, 2012

Paranormal Fascination is Hardly a New Phenomenon



EBENEZER'S LOCKER, a paranormal mystery for tweens.

A hundred years ago, Corbin Elementary School's building housed Dr. Ebenezer Corbin's School for Psychical Research. It seems that a couple of old spirits are still wandering the halls. It's up to Rhonda Zymler to find out what they want.

Ebenezer's Locker follows the adventures of Rhonda, a sassy sixth-grader who's having trouble finding her place and identity. Getting to know these spirits becomes Rhonda's quest. The more she digs, the more perilous her task becomes, and to complete it she must take two trips back in time. This story blends the realities of an economically-challenged modern American town with supernatural elements. What Rhonda finds not only gives her life a sense of purpose, but changes the fortunes of her entire town.

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Movies, TV dramas, reality shows, novels, non-fiction... Every type of media seems obsessed with the paranormal. But, while this might seem like a new phenomenon, it's only the latest of many times this craze has hit. When I was doing research for Ebenezer's Locker, I learned a lot about a previous period of spectral fascination.

In the late nineteenth and early twentieth centuries, America was loony for specters. The ghost fans, called the Spiritualists, sought connections with the dead in the parlors of mediums. These were men and women (and even children, sometimes) who seemed or claimed to have the ability to talk to the Summerland, the world beyond this life.

In Ebenzer's Locker, Tallulah Radley is an older lady in the neighborhood who happens to be a psychic medium. The kids go to her for help when they realize that they're facing ghosts.

I had a wonderful time doing research about the old days of American Spiritualism. I filled Tallulah's home with the sort of equipment that would have been used at the turn of the century, as if she might have inherited it from a psychic ancestor. Most important for her is a planchette, a wooden device with a pen in it. Through the planchette, a spirit can write a message for the living.

Although American Spiritualism started because people believed in the afterlife and wanted to communicate with it, it blossomed because of its economic potential. People made a ton of money looking into the future or the past for clients. And, not surprisingly, the industry was rife with cheats. My research uncovered many faked, theatrical ways the so-called mediums made their connections with the other world seem more spectacular.

I packed all of these devices into a single, breathless speech by Tallulah, who would never do any of these disreputable things. In this scene, two of the girls are in a seance with Tallulah, trying to communicate with the ghost of Ebenezer:


            Mica walked over to one of the two floor lamps in the room. “I should turn these off, right?”
            “Whatever for?” said the medium. “We won’t be able to see.” She patted the back of the chair Mica was to sit in.
            Mica didn’t budge, though. “Séances are supposed to be in the dark,” she said stubbornly, “or maybe with just one candle.”
            I was glad she’d brought that up, since I’d been thinking the same thing. But Tallulah was not pleased. She didn’t sound like a cookie-baking grandma now. “Young lady, sit down this instant.”
            Mica, looking as stunned as I was, followed the order.
            “Dark-room séances are the last refuge of charlatans,” Tallulah said.
            I didn’t get it. “The last what?”
            She sighed sharply. “I’ll say it in simple modern words for you young people. Only phonies have to turn out the lights at séances, so they can cheat.”
            “What kind of cheating?” asked Mica in a tiny voice.
            Tallulah stood, her voice full of emotion. “Some cheaters have an assistant hide in a cabinet and tap on the wood, pretending to be a spirit communicating.” She drew her hands above her head in a circling motion. “Some have wire puppets draped in sheets that float across the ceiling.”
I thought she was done, but no.  She seemed near tears. “I’ve seen phonies keep objects in hidden drawers under the table.”
“Why?” whispered Mica.
“So they can sneak them out as if a spirit made them appear. Some will hold a client’s sealed letter to their head and heart and pretend to absorb its meaning.” Tallulah mimed pressing an envelope to her forehead, eyes closed, very dramatic. Then she opened her eyes wide and shouted, “But actually, they drip rubbing alcohol on it so they can read through the envelope. And you know what some fakers do to make it seem like a spirit has appeared in a darkened room?”
            We shook our heads, afraid to speak.
            “Well, I’ll tell you. They dip gauzy white cloth in glow-in-the-dark paint. And they hide the cloth…” She gasped, as if amazed at her own story. “Well, they hide it in their underwear, children! I will not be compared to these razzle-dazzle snake-oil salesmen.” She plopped down in her chair, limp and exhausted.

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You can buy Ebenezer's Locker in any e-book format directly from MuseItUp Publishing
or on Kindle from Amazon.

Thursday, August 16, 2012

Thoughts on My Three-Novel Summer



Dear Reader:

Never, if you can manage it, publish three books in as many months.

Now, I'm not saying I'm not thrilled to have three novels published. Trust me, I am. And I certainly had no control over this situation, my books being with three different publishers.

What was the downside? Everything you'd expect:

1. Potential readers got confused. My own family can't keep track of who is publishing what, and in what format. Friends and acquaintances who clearly wanted to support me didn't know which title was which genre or age-group.

2. Three blog tours, back to back. That's really all I need to say on that topic. You can imagine.

3. Over-saturation of my brand. To much of me, too quickly, associated with too many different titles.

But I did learn a huge amount about publishing and promotion. Here are a few of the many things I've taken away from the experience:

1. Daily posts on blog tours are a waste of time, unless the blogs are very high profile and a lot of strangers will read them. Just jumping from one small blog to another tends to keep you in the same circle of potential readers. Your Facebook and Twitter followers and other contacts lose interest quickly ("Wait, didn't you just have a launch day?").

I gained very few readers, despite all that effort. Next time, I will spread out the blog marketing, perhaps to once a week.

2. With three publishers utterly distinct in their approaches, I learned about various release choices. I can see that it is important to me, and to potential readers, that my books are available in both print and e-formats, and at all the major online venues.

3. Publishers probably do want a sequel, no matter what they say on their submissions guidelines.

So, dear reader, I survived the crazy three-book summer of '12. It was fascinating, thrilling, exhausting, and terrifying. And, while I hope to have many novels published in the future, I hope to spread them out by at least a few months!

Friday, August 10, 2012

Trouble at the Scriptorium giveaway winner, and another giveaway!


The winner of my Launch Day Giveaway is....

Katie Clark!

Woo-hoo! Congrats, Katie.

Thanks, everyone, for showing such enthusiasm. And never fear: the blog Unusual Historicals is also doing a Trouble at the Scriptorium giveaway (I'll have two posts there this week), so hop on over there and try your luck!

Remember, there are a few more stops left on the blog tour:

Friday, Aug. 10: C.K. Volnek's blog
Sunday, Aug. 12: Second appearance (interview) on Unusual Historicals, plus giveaway
Monday, Aug. 13: Interview on Stacy Green's blog
Tuesday, Aug. 14: Guest post about writing historicals for kids, on Elaine Ouston's blog

If you missed some earlier stops and want to catch up, here's a complete list.

And, unrelated to the blog tour, I'll also be the featured interview starting Wednesday, Aug. 15, on the renovated Drunk Monkeys lit e-zine.

Next week, I'll be sharing my thoughts about the experience of doing three blog tours in a single summer. Yikes! Hope you'll stop by and join the conversation about this authorial ritual.






Friday, August 3, 2012

Launch Day! Win a copy of TROUBLE AT THE SCRIPTORIUM!


So, I had this situation, see? I'd done all this graduate work in medieval musicology, and I was becoming interested in writing fiction for kids. The result of combining those two things?


Ta-DA! I wrote the tween medieval mystery, Trouble at the Scriptorium. And I'm thrilled to report that this novel is now available directly from Royal Fireworks Press.

SYNOPSIS
Harley is a twelve-year-old servant boy at a castle north of London in the thirteenth century. Lady Margaret, also twelve, is the daughter of the castle's lord. Together they must puzzle out a message hidden in a book of Gregorian chant. There's something very suspicious going on at the scriptorium where the book was made, and people's lives are in danger! 

Here I am, clutching my precious author copies:



For more information on the book, plus some teacher's resources, visit the Trouble at the Scriptorium page on my website.

My blog tour begins next Monday, so I'll be posting direct links to those posts and interviews later. But here's where I expect to show up in the coming weeks:

Monday, Aug. 6. Ruth Schiffman's blog (why I wrote this book)
Tuesday, Aug. 7. Across the Plain of Shining Books (from the point of view of 12-yr-old Lady Margaret)
Thursday, Aug. 9. Unusual Historicals (book excerpt)
Friday, Aug. 10. C.K. Volnek's blog
Sunday, Aug. 12. Unusual Historicals (interview)
Monday, Aug. 13. Stacy Green's blog
Tuesday, Aug. 14. Elaine Ouston's blog

Say, would you like to win a review copy of Trouble at the Scriptorium? (It's an early print version, with a few illustrations missing.) Just leave me a comment below, including your email address. The winner will be announced Friday, August 10. (Sorry, but this is open to U.S. residents only because of postal costs.)

P.S. I just signed a contract for the sequel to Trouble at the Scriptorium. Harley and Lady Margaret have another exciting adventure in their future! The London Hurdy Gurdy takes them to the big city. 

Thursday, July 26, 2012

Guest Blogger C.K. Volnek on Writing for Young Readers



Today's guest is C.K. Volnek, a talented writer of middle-grade historical fiction, which she likes to combine with fantasy elements. It makes for an entertaining and fascinating mix.

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Hi Anne, Thanks for inviting me here today. I’m so honored to be among the wonderful guests you’ve showcased here.

What made you decide to write for younger readers instead of Adults? And will you ever write an Adult book?

I was an avid reader when I was a kid, jumping from one adventure to another, seeing the world and enjoying the multitude of stories through the eyes of my new friends, the main characters. To a child, the world is new and exciting and alive. There are secrets just waiting to be revealed around every corner and mysteries ready to be solved. I love the younger mind…they’re so open to what is happening around them rather than being totally focused on what is happening to them.

And so I choose to write to them, to give them stories to entertain and amuse, as well as inspire, encourage and motivate them to grab the world and make it a better place. If we can arouse the desires in the youth of today, no telling where they will go when they become an adult.    

Your books, Ghost Dog of Roanoke Island (about Roanoke Island) and The Secret of the Stones (about Merlin) are both Historical fiction. Is this going to be something you will continue to do?

It’s funny you’ve picked up on my tendency to write historical fiction. I HATED history in school. LOL. It was all I could do to memorize the dates and places, let alone try and figure out who all the players in history were. Besides, I never understood what history has to do with today. Why did I need to learn about something that happened in the past? What was it going to do for me today?

As I’ve matured, I’ve come to realize history has EVERYTHING to do with what happens today. It’s all cause and effect. Just as in Ghost Dog of Roanoke Island, if the Lost Colony had arrived on Roanoke Island earlier in the spring, they might have been able to plant and store food instead of sending their ship back to England for more supplies. If the Spanish Armada had not sailed against England, John White might have been able to return directly to Roanoke Island with the much needed provisions, instead of arriving three years later to a deserted colony.

I hope, that even though my story of Ghost Dog revolves around a fictional character and ghost, the historical facts shine through to inform and educate my reader as to the way these people lived, the injustices done and how certain prejudices could have been avoided.

The Secret of the Stone is a bit of a different story. It’s based on the historical legend of Merlin and King Arthur. A much lighter historical flavor and one my reader can enjoy a laugh or two with.

I looked up some of the facts in your book and they were all true. What kind of research did you do for your books?

The history behind the Lost Colony of Roanoke Island is fascinating. My muse couldn’t get enough, trying to sort out and solve what happened to the missing colonists. As I dove into this mystery, I found myself getting deeper and deeper, and loving every minute of it…the vision of Sir Walter Raleigh, the failed first attempt of colonization by Ralph Lane, his disgraceful retaliation against the Native Americans after the disappearance of a silver cup, the arrival of the new colony and the birth of Virginia Dare, the first English maiden born in the New World. Fascinating jewels of history. I researched the people of this time and even found the list of the original colonists’ names. I included several of these characters in my book, though they are clearly speculative. Even the ghost dog was researched. I discovered there was evidence of an English Mastiff coming over on the Mayflower so I envisioned a dog such as this accompanying the first colony, therefore creating my character, Ghost Dog of Roanoke Island.

The Secret of the Stones was a little more difficult to research. Merlin is all about legends. And there are a lot of legends surrounding Merlin. But it was so interesting to read through the different legends and see how they weave together. I pieced certain elements together, uniting all the pieces and my story was formed. And with my story, I create my own new legend…that Merlin still lives, held captive in the hidden castle and it’s up to Alex Ramsey to discover all the clues and save him in this series of fun and adventure.

Is there an Author who inspired you?

It’s hard for me to choose just one author who has inspired me. I try to glean something from every author I read. If I had to go back to my younger years, I would have to say it was after reading Black Beauty that I was inspired to be an author. I was determined to be the next Anna Sewell. I adore her vision to create such an eloquent story through the eyes of the grandest horse of all times. I can only hope that some child will enjoy my stories as much as I enjoyed hers.

When not in Author mode - what do you and your family like to do for fun?

I have so many things I like to do when I’m not writing. Family always comes first and I enjoy making a big dinner so we can all sit around and talk. I’m a crafter so I make jewelry, quilts, tole paint and crochet. I also love the outdoors and can be found hiking or walking my four Papillon pups around town. And yes, I did say four. They’re like potato chips, I couldn’t stop at one.

Thanks again, Anne, for having me on your blog today. It’s been a joy for me to meet so many new friends. If anyone would like to contact me, they can write me at ckvolnek (at) yahoo (dot) com. 

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C.K. Volnek's books are available through Amazon, through MuseItUp Publishing, and at other online retailers.

Her book trailers are on YouTube.

You can learn more about C.K. Volnek at her website and blog.

Thursday, July 19, 2012

Guest Blogger: Novelist Sandra Saidak talks prehistoric fiction



Oh, I do love a nice theme! Last week we enjoyed a discussion of dinosaurs and megafauna in middle-grade lit. This week we are fortunate to have Sandra Saidak, author of Daughter of the Goddess Lands and Shadow of the Horsemen, sharing secrets about how she writes prehistoric fiction.

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Turning Prehistory into Fiction

The genre of prehistoric fiction, as most of us think of it today, began in 1980 with the publication of Jean Auel’s The Clan of the Cave Bear.  Before that, it was mainly a sub-genre of science fiction, involving time travel or the modern-day discovery of people (and usually dinosaurs) lost in time somewhere on earth.  Legendary pioneers like Jules Verne and H.G. Wells contributed some of prehistoric fiction’s earliest pieces.
 
In the nineteenth century, archeology was coming into its own as a science, and the acceptance of Darwin’s theory of evolution made it possible for people to view newly discovered fossils and artifacts in an entirely new light.  We had ancestors unlike anything described in the bible!  Who were they?  How did they live?  And perhaps most importantly, what could they tell us about ourselves?  Most of the early writers incorporated the new discoveries into their fiction—a trend which continues to this day.

I love prehistoric fiction—both the writing and the reading of it.  The farther back you go in time, the less is known—a perfect playground for the imagination.  Artifacts abound, but for many of them, there is no consensus among the experts as to what they mean.  This allows anyone with enough creativity to build an entire world from a few bones, tools, and burial sites.  It also allows an author to do a lot of research in a few hours.  If you want to write a novel set in Tudor England (and clearly, a lot of people do these days!) you’ll have to read hundreds of pages of legal documents and family histories, livened up by the sometimes juicier diaries, letters and broadsheets.   Tudor England was an extremely well-recorded time in our history, and if you want to do justice to the reality of it in your fiction, you need to read it all.

Not so with prehistoric fiction.  I sometimes find the most useful research to be just staring at a map of the world for a few hours.  Inevitably, I’ll fixate on a section and ask myself: “How many transatlantic crossings could have happened before Columbus?  Who crossed?  Why and how?” or  “If there was no land bridge from Asia to Australia when the first humans journeyed there, what could possibly have made them risk crossing open water if they didn’t even know there was land on the other side?”  Or, even more tantalizing: “Did they somehow know there was land?  How?”  And I’ve asked the same about Japan. 

Then, once the story has me firmly in its grip, I go to my bookshelf or the internet, and look for what information is there.  Sometimes it’s not much more than maps of how those places looked at the times I’m interested.  Sometimes it’s conflicting theories, or a news story about a strange artifact that shouldn’t be there.

And for great prehistoric fiction, sometimes that’s all it takes.

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For more information about Sandra Saidak, visit her website.

You can purchase her books on Amazon.

Thursday, July 12, 2012

Guest Blogger Elaine Ouston's new MG fantasy novel


Elaine Ouston’s new fantasy novel, Captured, for ages 10+, is the second book in The Mystery of Nida Valley seriesThe series is about a hidden valley full of ancient animals, dinosaurs, and much more. Elaine describes her book, as well as her wonderful promo idea to help educate kids about
"megafauna".

*   *   *

The story begins when fourteen-year-old Meg Sealy, her friend Amanda, and her older cousin Jaiden stumble upon a secret valley where time stands still. The three friends are thrust into a dangerous world of magic, time travel, and creatures they believed extinct. They learn that it is their destiny to use their new magic skills to join the fight to save the valley from an evil break-away order, bent on exploitation. Meg discovers she is to become the next leader of the magic order that protects the valley and its creatures. But undercover villains in the valley try to stop her from doing so. Many life-threatening events occur as she and her friends fight to save the animals from extinction.

I am often asked how dinosaurs and real animals that existed over 40,000 years ago became the basis for a fantasy novel. I came across the megafauna when I was researching animals for another book. They fascinated me, as I had never learnt about them at school.


I asked a group of children what they knew about these creatures and discovered that they had no knowledge of them. Their interest in hearing about the animals, fueled my desire to write the story, and so I began in earnest. Some of the questions the children asked during our discussion shaped the story. For instance, ‘Did they live with the dinosaurs?’ and from a very cute 4 year-old, ‘Were there dragons too?’ So I decided to include the three groups, megafauna, dinosaurs, and mythical animals. It is a strange mix and it was interesting coming up with a way to make the valley’s creatures credible. (Well, as credible as fantasy has to be). Fantasy has always been my first choice to read so it was natural for me to write in that genre.


I wanted the book to be entertaining as well educational. So I trawled the internet and libraries for accurate information. I found what I needed in books, and Museums and University websites. I have recorded the sources on the inside page of the book and on the cards. So any reader can do follow-up research, or any librarian or teacher can confirm the information. 

I realised as I wrote the story, that even though I described the animals in as much details as I could, the readers would still have no idea what these magnificent creatures looked like. To include colour drawings in the book would make the printing too costly, so I decided the create collector cards. I commissioned an artist, Aaron Pocock, to draw the animals from images I found on museum websites and in a book, The Magafauna of Australia, by Danielle Clode. 


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Learn more about Elaine Ouston and the novels in this series by visiting her website.


The books in the Mystery of Nida Valley series Amazon and elsewhere online. In Australia, they can be ordered from your local bookstore through Dennis Jones and Associates. 


The packs of cards and signed paperbacks can be purchased at http://morrispublishingaustralia.com