My guest today is Karina Fabian, whose new novel, Greater Treasures, is a fantasy that takes its inspiration from a noir classic. She discusses how she fit these two genres together in her DragonEye world.
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Stories are like Sonnets
By Karina Fabian
One of my favorite
metaphors comes from Madeleine L’Engle’s Wrinkle in Time Trilogy. She describes life as a sonnet: we are all
given a strict structure and rules, yet have complete freedom within those
rules to create ourselves into unique individuals.
Fiction writing is like that: There are rules to follow on grammar and story
structure, yet we have incredible freedom of imagination. No matter how strict the rules, no two people
will create the same thing. My story, Greater Treasures, is a good example of
this. I wrote this story while watching The MalteseFalcon, so while I watched the movie, I took careful note of the plot progression and
iconic scenes, like the confrontation between Sam Spade and the police chief. So I had the structure and basic character
set: detective, partner, police chief, damsel in distress with a dark secret,
even the competing treasure hunter and his henchman. Then, I exercised my creativity by placing
this structure into my DragonEye universe and let my characters in that world
play out their parts.
The result is a very different story from the one written by
Dashiell Hammet. The stakes are
higher: the life of Vern’s best friend
(Sister Grace) vs. the fate of an entire world (one that has not treated Vern
very well).
The femme fatal, of course,
would not be able to use her feminine wiles on Vern, who’s a dragon. She needed a different pull. In addition, Vern is a little more savvy than
Sam Spade (Sorry, Sam); plus, he’s seen The
Maltese Falcon. If you’ve seen or
read The Maltese Falcon, then you
might recognize some of the events and catch a couple of in-jokes; however,
there’s no mistaking Greater Treasures
for the noir classic—if it becomes a classic itself, it will do so on its own
terms.
There’s a saying that there are only 10 original ideas (or 4
or 42 or…) The number does not really
matter, because it’s not the idea or the structure that define the story. It’s what you do within that structure that
makes it yours.
Thanks for hosting me today!
ReplyDeleteIt's my pleasure, Karina. I just noticed that your website link isn't live, so I'll pop in and fix that now!
DeleteVery cool!
ReplyDeleteI love the fact that there are only a certain number of ideas in the entire world that writers can write about, but it's not the ideas that make the story. It's the imagination of the writer, and their take on the idea. So cool! :)
ReplyDelete