Today's guest author was determined to see her fictional world through her character's eyes, or, more accurately, through her character's other four senses. Elizabeth Watasin's Medusa features the romantic adventures of a blind woman in an alternative Victorian London. Intrigued? Read on!
* * *
I would like to thank Anne for the opportunity
to talk about my latest release, Medusa:
A Dark Victorian Penny Dread. Set in
an alternate 1880, mechanical and supernatural London, I'm excited about this
story because not only is it my first full romance (I usually write paranormal
mystery and adventure with romance on the side), it features blind people as
principle characters, having adventures and falling in love. Writing with the
perspective in mind of a protagonist blind nearly all her life was (dare I say
it?) quite an eye-opener, leading me to rely on our auditory, olfactory, and
haptic senses to convey the story. The result was a very sensual experience,
especially when I introduce that Elvie Chaisty, my heroine in MEDUSA, likes
exploring the marble antiquities in the British Museum by touch.
I also like my characters empowered, in that
Elvie should not feel deficit as a blind person (she has no longing to be
sighted), desires to be accepted by sighted people (she certainly has an
opinion on the sighted's lack of understanding of her world), and doesn't need
to be the “facilitator”, shall we say, of a sighted person's personal heroic
journey. Elvie gets to be the adventuresome heroine, which, not too much to my
surprise, emulates a real life sightless adventurer I was happy to discover
during my research: James Holman (1786-1857), who set out to travel the world.
With only enough money to travel “native”, and often alone, Holman managed to
journey through (per the title of his book), Africa, Asia, Australasia, and
America.
Now I don't have Elvie travel beyond London, but
just experiencing messy, noisy, smelly, and sometimes astounding Victorian London
itself, beyond the doors of the Institute of the Blind (where she resides with
her friend and stick for hire, Ellie Hench), is adventuresome enough. To boat
for the first time down the Thames, hear Westminster Clock chime, or enjoy the
air and sunlight in bucolic Brompton via electric horseless carriage can be
singular experiences to a blind person's senses.
I didn't give Elvie super abilities, but the virtues and fallacies of
haptic perception in a sighted world. At least, I tried my best to do so, and
it was a rewarding experience being in her world. Frankly, I was reluctant to
leave it once I typed “the end”. As a reader, you will join her in adventures
as one blind, fall in love as one blind, and thus experience more about our
world than we sighted can know. I hope you enjoy MEDUSA: A Dark Victorian Penny
Dread.
* * *
Learn more about Elizabeth Watasin on her website.
Wow this book sounds awesome and I commend you Elizabeth for taking on blind characters. It must have been so challenging and rewarding for you and I bet you improved some of the senses you have that we all take advantage of! My bet is, you WON'T be saying "the end" for long as I'm sure a demand for a sequel will be coming soon. Goodluck!
ReplyDelete