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Monday, November 25, 2013

Webrid's Unlikely Heroes Giveaway!

Milo James Fowler kindly invited me to join a series of giveaways he's linking to from his blog, In Medias Res. Hop on over to see the other great authors raffling off books each Friday in December!

I thought it would be fun to offer both of the Webrid books (that is, one reader gets both Green Light Delivery  and Blue Diamond Delivery) in any ebook form preferred by the winner. The Giveaway is up and running, and the winner will be chosen on Friday, December 20. The theme of my giveaway is Unlikely Heroes.

Webrid never wanted to be the star of adventures, or risk his life, or get off his couch for that matter. Yet, time and again, fate swoops in and forces poor Webrid to fight the good fight.

Do you love unlikely heroes in literature? Who are your favorites? Please share them with us in the comments, and also enter the giveaway here:



Good luck!


Thursday, November 21, 2013

Paul Kavanagh: Hemingway, Dante, Verlaine, Rimbaud, Ballard, and an Iceberg at the End of the World

My guest this week is Paul Kavanagh. According to one critic, his dystopian novella Iceberg exhibits "scabrous innocence and scarifying pathos." Yes, that's meant as a compliment. The author shares some thoughts with us here. Or maybe it's one long thought.

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Hemingway wrote something somewhere about style and an iceberg. I wrote a book about an iceberg that was won in a spam email. Don't you just hate those pesky emails. Hemingway said his style was like an iceberg. My iceberg was an Antarctic iceberg. It was concrete and not some abstract notion. The iceberg I wrote about drifted all the way up from the Antarctica to New York City. It could happen. Hemingway’s theory of the iceberg is very clever. My iceberg could have been a huge peach. I tried to use Hemingway’s method. I thought it would be interesting and clever and funny. I wrote about the end of the world, a Ballardian end of the world, but I left out all the details, well most of the details, I could have written a thousand pages about a Ballardian end of the world, a litany of – clich├ęs? - but I decided to try the Hemingway approach and leave it all out. My book is very small now. It makes people giggle because it is so small – I like that though. There is a huge mess floating in the sea between Hawaii and California. The huge floating mess is the result of the bad weather that destroyed Japan. In that mess there are televisions, beds, kettles, all the things one would need to create a comfortable home. On my floating – up to New York, it could happen – iceberg, a lovely couple do just that, they create a comfortable home out of the debris of the Ballardian end of the world. They create a Modern Eden. I used Dante Alighieri’s template. The first chapter in the book is the antithesis to the late chapter in the book as hell is the antithesis of heaven. I enjoyed writing Iceberg. Writing even though is like sitting on top of an iceberg is nevertheless a lot of fun. Writing should never be painful. I wrote many years ago, when I thought I was Rimbaud - now I have to admit I look more like Verlaine - one should not suffer for art for art will not suffer for you. I was once very silly. I am still very silly. Iceberg is a very silly book. I hope it makes people giggle. In the movie I hope Bert and Ernie will play the leading roles. Sesame Street is the cause of all this. ABC. One Two three. There are three chapters that make up Iceberg. As there are three Books in Dante Alighieri’s Divina Commedia. “Very Oulipo!” I am repeating myself. I am turning into that drunk at the end of the bar. Hemingway emptied a shotgun into his mouth because he had turned into that drunk at the end of the bar. I will not empty a shotgun into my mouth I’ll simply stop

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You can purchase Iceberg on Amazon.

Thursday, November 7, 2013

Enita Meadows Shares ShapeShifting Demons


Who doesn't like to expand their knowledge of monsters? Edita Meadows complies with this fascinating description of the very scary-sounding creatures called Aswangs, which feature in her novels.

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Vampire vs Aswang
 by Enita Meadows

These days, vampires are in. They’re cool, they’re trendy, and sometimes it’s just plain difficult—near impossible—to find an author who hasn’t written a vampire story. And who can blame them? However, deciding whether I am or am not one of those authors is tricky: It all depends on how strictly you define “vampire!”

The “tricky” part is that my Aswang Wars trilogy is about aswang, a type of shapeshifting demon. They don’t burn (or sparkle) in sunlight, they aren’t weak to a stake through the heart, and they don’t sleep in coffins. But they do drink blood. They do change their shape. They are nocturnal. So are they vampires? Or are they not?

I spent many sleepless nights researching these ghouls of Philippine folklore while writing the Aswang Wars. Their lore is completely separate from vampire myth, existing before the introduction of western cultures. There are similar ghouls in surrounding areas like Indonesia and Malaysia, but none as profound and culturally influential as the aswang is to the Filipinos.

But what is an aswang, exactly?

Essentially, an aswang is a creature which takes an unassuming form during the daytime only to transform at night and feed off humans for their blood or internal organs. The word aswang in the Philippines covers a wide array of ghouls and monsters, but most share common traits, such as a taste for human blood/entrails, some form of shapeshifting, and a trademark cry described as a wak wak or tik tik. An aswang can be many things during the day; usually a beautiful young woman, and other times an animal, the most common being a black cat or dog, a large pig, or a bat. They have proboscis tongues capable of stabbing clear through human skin, a voice that is louder when far away but softer when nearby, and have a knack for snatching up small children and even unborn babies straight from the mother’s womb.

In The Aswang Wars, the main character is one of these creatures, who has forgotten his true nature and everything about himself and the aswang world. He knows only his name, Jei Rivera, and nothing else. When an aswang named Malaya comes along to tell him not only is he an aswang, but the most vital part of the battle between warring clans, he’s thrust back into that world with his only true motivation being to learn about the past he’s forgotten.

Although I put my own twists on the aswang while molding them for the story, a lot of honest research went into the creation of the Aswang Wars trilogy. On top of that, there was a lot of discovery to be had about these blood-suckers during the writing process itself. I learned what it was like to think from a monster’s point of view, and found the distinct differences between aswang and vampire to be too great to categorize them so closely together.

Aswang are monsters, all on their own. They’re not infected with their condition. They’re demons, from birth to eventual death. Despite feeding on blood and changing shape, there’s not a lot to justify the aswang to be categorized as a “vampire” at all. In fact, maybe the vampire should instead be categorized as a type of aswang. Let’s just hope there aren’t any walking among us tonight.


Hope you all had a happy Halloween. Don’t let the monsters bite. ;)

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Learn more about Enita Meadows on her website.
Purchase the Aswang Wars series on Amazon.